Skip to content
Mark Harris Logo
2019-202020-12-10T03:33:36+00:00
  • MZ.25 (My Condolences)
  • Césaire–Notebook
  • Woolf–The Years
  • Punk Lyric Paintings
  • 木timbreland木
  • Camp Street Corner
  • Bad Music Seminars
  • Music To Die To
  • Trash Drawings
  • Video Drawings
  • Songs The Plants Taught Us
  • Paris 1848/1871
  • Sparrow Come Back Home
  • Turntable Materialities
  • Smithson on Broad Street
  • Cage–Variations II for 5 turntables
  • Mapplethorpe–The Perfect Moment
  • Utopia, Ohio
  • Drop City
  • Hog Farm
  • Cut-Paper Paintings
  • Freud’s jokes
  • Morning Star
  • Morton Feldman’s Rothko Chapel
  • Utopian-Bands, Beijing
  • Mao Songs
  • 45 rpm
  • Heidegger on Truth
  • Psychedelic Universe
  • Streets of London
  • Fire News Fire
  • The Guitarist
  • Marijuana in the U.K.
  • Four Minutes of Funk
  • Colonial Stock Book
  • Driving into Clarksdale
  • Out Of This World
  • ’68 ’69
  • Pre-Punk Personality Crisis
  • In Sight of Chaos
  • Chinese Ideology
  • Wall of Sound
  • Kosuth/Dead Kennedys
  • Memorial to the Iraqi Dead
  • Collages, New York 1990-95
  • Writing
    • 2021-23
      • Sonic Wilderness: Wild Vinyl Records
    • 2019-20
      • A great chaos of sound
      • Music to die to
      • Artforum reviews 2015-2019
    • 2017-18
      • Shimmer
    • 2015-16
      • Turntable Materialities
      • Orpheus in the Artworld
      • Mighty Sparrow DCCA
      • The Materiality of Water
    • 2013-14
      • Cinema, studio, tools
      • Slackers and the Avant-Garde
      • Materialities
      • Theresa Chong
    • 2011-12
      • What strategies enable women artists’ self-determination today?
      • A Local Culture-tradition and risk in Cincinnati
      • Marcia Hafif-Glaze Paintings
    • 2009-10
      • Thirty-Billion Years From Now
      • Gestural Painting from the Year Zero
      • Heather Phillipson
    • 2007-08
      • Pipilotti Rist’s Music
      • Marcia Farquhar
      • Porn, Performance and Objectification
      • Tony Luensman
      • Sympathy for the Devil
    • 2005-06
      • Part Object Part Sculpture
      • Go Between
      • Mel Jackson
      • John Stezaker
      • Charles Harrison, Painting the Difference: Sex and Spectator in Modern Art
      • Simparch interview
      • Mary Jo Bole
    • 2003-04
      • How Art Knows Things
      • Suite America
      • Blinky Palermo
      • Milena Dragicevic
      • Mel Jackson
      • Mike Kelley and Tony Oursler
      • Christopher Wool
    • 2001-02
      • Mary Heilmann
      • Multiples
      • Helio Oiticica/Liam Gillick
      • Jemima Stehli
      • Merlin Carpenter
      • 100 Reviews
      • London Pats Itself on the Back
    • 1999-2000
      • Intimate House
      • Amelia Jones/Andrew Stevenson, Performing the Body
      • Robert Melee
      • Conrad Atkinson
      • Nick Bolton
    • 1997-98
      • The press release and alternative spaces
      • Noises Off
      • Trading Up or Selling Out
      • Immaterial Culture
      • BANK’s Death
      • Charles Long
      • Rose Finn-Kelcey
      • Keith Edmier
      • Tim Noble and Sue Webster
      • Joan Key
      • On Your Bike
      • Like a Dog Biting its own Tail
      • Angela Bulloch
      • Sarah Lucas
      • Accelerator
    • 1995-96
      • Putting on the Style
      • Roxy Walsh
      • Julian Stallabrass, Gargantua
      • Simon Patterson
      • Angus Fairhurst
      • Sally Heard
      • Jake and Dinos Chapman
      • Chris Burden
      • Robert Wilson and Hans Peter Kuhn
  • Curating
    • Star Maker
    • Once Upon A Time In The Midwest
    • Bad Drawing
    • Dumbfounded
    • Educating Barbie
    • Irredeemable Skeletons
    • Material Abuse
  • Press & Publications
    • Reviews
    • Joy Divisions
    • State Fare
    • Streets of London-Miser & Now
    • Get Together
    • Kunst in der Stadt
    • Full Head of Hair
    • Blood Show
    • Dream Machines
    • Maria Walsh, Economist show
    • After the Fall
Page load link
Go to Top